#POST PRODUCTION COLOR MACHINE ROOM PROFESSIONAL#
#POST PRODUCTION COLOR MACHINE ROOM MAC#

It also means that consumers will view your masterpiece as you intend them to because they’re using TVs that also use the same color gamut. By saying a camera uses a particular color gamut, we know the colors it captures will be represented accurately by a monitor that uses the same gamut. Color gamut also provides a shared vocabulary for use by video cameras and monitors. The human eye can see many more colors than any monitor can display, so color gamut expresses the portion of those colors that the monitor reproduces. Color gamutĬolor gamut is the range of colors within the visible color space-the colors visible to a human eye-that a monitor can also display. Otherwise, there’s no guarantee that the rest of the world will see the image you craft as you intend it to be seen. In other words, your monitor needs to conform to the same standards as the screens used by your audience. When color grading an image, it’s important that you work within the same color space as the one you’re delivering to. These standards are set by different industry groups and are important because cameras, monitors, and projectors are limited in which colors they can encode, decode, and display. Video color space is a standard that defines the color gamut (see below), white point, and color component transfer function (brightness, in lay terms, and often called “gamma”) for color encoding in a video system. Here’s what to look at as you invest in your monitor: Video color space

#POST PRODUCTION COLOR MACHINE ROOM MAC#

You’ve already spent thousands on one of the best laptop for video editing, or multi- multi-thousands on a new Apple Mac Studio, and you want to get the best out of it. What does that all mean? Read on! Things to consider before buying the best monitor for color grading Finally, we picked units across a range of price categories. 2020, HDR formats, and connectivity (making particular note of monitors that took advantage of Thunderbolt 3 ports). We also paid attention to support for Rec. And all but our budget model had to cover at least 85% of the DCI-P3 gamut. 709 and sRGB color gamuts in order to make our list.

#POST PRODUCTION COLOR MACHINE ROOM PROFESSIONAL#

We narrowed our focus down to seven excellent monitors that ranged from top-tier professional units to those geared toward tighter budgets.Īccurate and consistent color was a priority, and a monitor had to use IPS LED technology, have 4K resolution, a 10-bit display, and coverage of at least 99% of the Rec. We also read trade magazines and technology review sites and spent time looking at online impressions to get a sense of what average users thought. When evaluating the best monitors for color grading, we relied heavily on conversations with industry professionals, as well as our own experience working in film and TV. How we chose the best monitors for color grading Best budget monitor: BenQ PD2700U DesignVue.Best HDR monitor: ASUS ProArt Display PA32UCX-PK.We’re here to help, so read on as we explore the nuances that make the best monitors for color grading standard equipment for video creatives. It’s not always easy to navigate, especially when many of these screens have surprisingly similar specs. Offering 4K resolution is great, but that’s just the tip of the iceberg. To get the most out of a monitor, you have to dig into the physics of color and light, looking at gamut and color space, bit-depth, contrast ratio, as well as the LED technology underlying the display itself. These aren’t screens meant merely for spreadsheets or text files. Obviously, colorists need high-performing monitors with some specialized features. Whether destined for the big screen, a streaming platform, or a social media post, color grading gives footage its final polish. All this is referred to as color grading. At the very least, a good colorist fixes problems in the footage resulting from mismatched lighting or exposure issues. Manipulating a shot’s color can also create different emotional moods, heighten drama, and even convey physical sensations like cold nights or hot days. So what is color grading, exactly? Colorists are the people in post-production who take the footage and use color and contrast to make images pop. The best monitors for color grading let colorists fix problems in post-production and, more enjoyably, creatively use color to bring mood, excitement, and drama to a scene. They have a sharp picture with strong contrast and can display more than 1 billion colors. The best monitors deliver accurate color consistently, from project to project, day in and day out.

Post production color machine room